Forest Floor Details

Forest are an excellent place to look for details. If it is during a rainy day, the better! Colors get naturally saturated, fallen branches and leaves feel alive, and some moisture or droplets add that little something to a photograph.

Wet branch and leaves on the forest floor. Sezelhe, Portugal<br />
Canon 5DII, Canon 180 f/3.5 Macro - 180mm, f/14, 0.8s, ISO 400

Wet branch and leaves on the forest floor. Sezelhe, Portugal
Canon 5DII, Canon 180 f/3.5 Macro - 180mm, f/14, 0.8s, ISO 400

This image is all about finding the extraordinary in the ordinary. How many times did we walk on a forest floor without noticing the patterns and colors of nature? Tripod set, small aperture, shutter speed to stop any motion due to wind or rain droplets and ISO adjusted for a correct exposure. It’s always good to check your histogram after a shot in order not to blow highlights or shadows. Exposure compensation could be applied on those cases.

Leaf covered with droplets. Montalegre, Portugal<br />
Canon 5DII, Canon 180 f/3.5 Macro - 180mm, f/14, 0.5s, ISO 200

Leaf covered with droplets. Montalegre, Portugal
Canon 5DII, Canon 180 f/3.5 Macro - 180mm, f/14, 0.5s, ISO 200

By walking slowly with eyes wide open, there are some relics to be found. I spent some time looking for a pristine leaf like this one in a nice a place that could bear an interesting composition. I could have taken any other leaf with droplets and put it in a place I liked, but that is not my approach with nature. I like to photograph nature as it is, I want to show what one could find by walking on the forest, not a set up to document a species or place. For this image I used a LED lantern to get a bit of light on the left side.

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Old Roman Bridge

Another wet morning in Peneda Gerês Natural Park. This time I’m featuring an old roman bridge near Sezelhe.

Due to heavy rain I spent almost an hour below a modern bridge close to this one. Each time the rain stopped, I would take a brief walk to check interesting compositions. The green moss growing around the bright tones of the bridge were an interesting feature to photograph.

Stone bridge covered by green moss moss. Sezelhe, Portugal Canon 5DII, Canon 24 f/1.4 II L - 24mm, 1.6s, f/16, ISO 50

Stone bridge covered by green moss moss. Sezelhe, Portugal
Canon 5DII, Canon 24 f/1.4 II L - 24mm, 1.6s, f/16, ISO 50

I chose a rock next to the bridge to set up my tripod. On a day like this, with heavy clouds there was no need to use a neutral density filter to get the effect I was looking for in the stream. Choosing an aperture of f/16, ISO 50 and adjusting the shutter speed was enough.

In autumn, leaves and small branches are constantly falling in the river, being dragged with the flow. This combined with a slow shutter speed of 1.6 seconds brings some texture to the water. On the horizon, due to wind, fall colored trees blend their leaves.

I had time to take two shots, then the skies opened again and was time for a run for cover.

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Pitões da Júnias

Located on the east side of Peneda-Gerês Natural Park, its capital Pitões das Júnias is a small village at high altitude. One of the highlights of Pitões is the old Santa Maria das Júnias Monastery.

Next to the monastery one can find a small stream. By mid November, fall colors can still be largely seen. I spent three days in this region, Barroso. Everyday, cold and rain were a constant presence. But that shouldn’t stop one from photographing in the field. Rainy days also mean overcast days, so that’s perfect for long exposures of water streams.

Stream in Pitões das Júnias. Peneda-Gerês Natural Park, Portugal Canon 5DII, Canon 24 f/1.4 II L - 24mm, 0.6s, f/16, ISO 50

Stream in Pitões das Júnias. Peneda-Gerês Natural Park, Portugal
Canon 5DII, Canon 24 f/1.4 II L - 24mm, 0.6s, f/16, ISO 50

This was shot from above, near a small bridge. Using a prime lens for this kind of work isn’t easy but I managed to pick a composition with some interesting elements. To increase the exposure and still get some texture in the water I chose a speed of 0.6s. Now I only had to deal with aperture and ISO. I need a good amount of depth of field, so a small aperture was needed. Setting the ISO to the lowest possible value no my camera – 50, the shutter priority mode gave me an aperture of f/16. Sounds good!

For this kind of shots with water in motion it is good to make several exposures for different effects and also at different speeds. Then at home I can always choose what works best for me.

So as you’ve seen, this blog post is a bit different than those before. I will write smaller post from now on, but with more frequency. Also, I want to explain the process behind each photo and the technical details, so everyone can take advantage of this information. I’ve also plans on writing gear reviews, so keep tuned!

 

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Slum Kids

When travelling I often like to adventure myself off the beaten path. That may include a walk in a forest, jumping rocks to see what’s on the other side of a stream or waterfall, or entering narrow isolated streets in search of something new. Not always this behavior bring positive results, but in Yangon it did.

Canon 5DII, Canon 16-35 f2.8 L II<br />
32mm - 1/640s - f/4 - ISO 400

Canon 5DII, Canon 16-35 f2.8 L II
32mm - 1/640s - f/4 - ISO 400

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Yangon Revisited

One of the things I like about a trip is returning to a place after a few days. When I go back I already know the sites, I know what to look for, what worked and what didn’t the first time. This worked perfectly in Inle Lake when I got back to Shwe Yaunghwe Kyaung monastery, so I was sure it would also work for Yangon.

Canon 5DII, Canon 70-200 f2.8 IS L II<br />
70mm - 1/125s - f/2.8 - ISO 1000

Canon 5DII, Canon 70-200 f2.8 IS L II
70mm - 1/125s - f/2.8 - ISO 1000

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Mandalay

I have to confess that Mandalay didn’t light my fire. It is not as cultural as Yangon nor as modern as Bangkok, with horribly designed modern buildings. Chaotic avenues, degraded malls, polluted street markets and floods, but the weather is not their fault. In a word, entropy.

That said, not all is bad in Mandalay, and the former Burmese kingdom capital still has something to offer to intrepid photographers. And by intrepid I mean with a good pair of legs to walk away from the crowded avenues to the small, old, traditional neighborhoods.

Canon 5DII, Canon 16-35 f2.8 L II<br />
35mm - 1/160s - f/8 - ISO 400

Canon 5DII, Canon 16-35 f2.8 L II
35mm - 1/160s - f/8 - ISO 400

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U Bein’s Bridge

Amarapura – City of Immortality, founded by King Bodawpaya in 1783 and Myanmar’s penultimate royal capital. Little remains today from that era of kings and royalty apart from the thousand teak wood posts that support the pedestrian bridge over Taungthaman Lake.

Canon 5DII, Canon 16-35 f2.8 L II<br />
16mm - 1/500s - f/8 - ISO 200

Canon 5DII, Canon 16-35 f2.8 L II
16mm - 1/500s - f/8 - ISO 200

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Mingun

Mingun is a village north of Mandalay famous for its unfinished huge pagoda – Mingun Paya. To avoid the hordes of tourists we rented a boat in Mandalay and went by our own on a 1h trip up the Ayeyarway river. Even far from reaching shore the impressive Mingun Paya started to develop on our eyes.

Canon 5DII, Canon 70-200 f2.8 IS L II<br />
70mm - 1/250s - f/8 - ISO 400

Canon 5DII, Canon 70-200 f2.8 IS L II
70mm - 1/250s - f/8 - ISO 400

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Bagan

Bagan, land of kings and Buddhism, home to more than 4000 temples on a plain the size of Manhattan. Back in the VII century it was Bamar King Anawrahta, recently converted to Theravada Buddhism, the one who ordered the construction of these amazing temples. After his death, subsequent kings didn’t stop the building frenzy until the XIII century most probably due to mongolian or chinese invasions. To help the temple destruction, a massive 1975 earthquake also left its mark on the religious monuments. Happily restoration projects are ongoing with help from UNESCO.

Canon 5DII, Canon 16-35 f2.8 L II<br />
16mm - 1/60s - f/10 - ISO 250

Canon 5DII, Canon 16-35 f2.8 L II
16mm - 1/60s - f/10 - ISO 250

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Buddhist Monks from Inle Lake

Buddhist monks were one of the subjects I was looking after on this trip. I know it is an overly covered subject, but hey, I’ve never been there to see it, so why not give it a try and do something for myself too…

Canon 5DII, Canon 70-200 f2.8 IS L II<br />
125mm - 1/320s - f/2.8 - ISO 1000

Canon 5DII, Canon 70-200 f2.8 IS L II
125mm - 1/320s - f/2.8 - ISO 1000

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